ANDREA MARTINUCCI

Tele Trance, 2025. Oil on canvas, 68 x 48 x 5,5 cm.
Detail, Tele Trance, 2025. 
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi
5 secondi, 2024.  inkjet print, 120 pp., 41,5 x 29 cm.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
Di questo parla il cielo / This is what the sky is about, 2024. Acrylic on canvas 168 x 237,5 x 3,5 cm.
Detail, Di questo parla il cielo / This is what the sky is about, 2024.
Espresso, 2025. Acrylic on canvas 48 x 68 x 5,5 cm.
Corpi lucenti con destini comuni, installation view at Manetti&Roberts, Florence,, 2025. Ph.credits Leonardo Morfini.
Untitled (Palestra), 2025. Acrylic on canvas,  18 × 24 × 2 cm (approx.)
Futuro si fa andando, 2025. Acrylic on canvas,  18 × 24 × 2 cm (approx.)
Il tempo come frusta, curated by Giulia Pollicita. installation view for Una Boccata D’Arte by Fondazione Elpis at Che Guevara Bar, Letino, 2024. Ph.credits Maurizio Esposito.
Bouquet (symbol of a distorted dream), 2024. Acrylic on canvas, 110 x 165 x 3cm.
Detail, Bouquet (symbol of a distorted dream), 2024.
Pittura Italiana Oggi, installation view at Triennale Milano, Milan, 2023. Ph. credits Triennale Milano.
To think, desire, know, things must have substance, weight, 2023. Acrylic on canvas, 95 x 172 x 3 cm.
Carezze, installation view at Renata Fabbri Arte Contemporanea, Milan, 2022. Ph.credits Alberto Fanelli.
Dialogo con prima figura, 2022 Acrylic on canvas, 15 x 21 x 2,5 cm (approx.)
Carezze, installation view at Renata Fabbri Arte Contemporanea, Milan, 2022. Ph.credits Alberto Fanelli.
Carezze, installation view at Renata Fabbri Arte Contemporanea, Milan, 2022. Ph.credits Alberto Fanelli.
Open Script, installation view at IUNO Project, Rome, 2022. Ph.credits Leonardo Magrelli.
Open Script, installation view at IUNO Project, Rome, 2022. Ph.credits Leonardo Magrelli.
Succo di limone / Lemon juice, 2022. Acrylic on canvas 95 x 172 x 3 cm.
Detail, Succo di limone/ Lemon juice, 2022.
Melodia, installation view for Cantica21 (MiC and MAECI) at ZETA - Contemporary Art Center, Tirana, 2021. Ph.credits Alberto Romano.
Melodia, installation view for Cantica21 (MiC and MAECI) at ZETA - Contemporary Art Center, Tirana, 2021. Ph.credits Alberto Romano.
Ph. credits Jessica Soffiati
 Andrea Martinucci (b. 1991, Rome, Italy) lives and works in Milan. His practice, focused primarily on painting and time-based installations, explores how objects and images, freed from their functional roles, operate as speculative agents within reconfigured systems of value and hierarchy. Through strategies of framing, montage, and sequencing, his work generates associative constellations guided by provisional or non-linear logics, opening onto scenarios of meaning that are at once absurd and contingent. 

Recent solo exhibitions include Fondazione Baruchello, Rome (2025); Una Boccata d’Arte, Letino (2024); IUNO Project, Rome (2022); Italian Cultural Institute, Los Angeles (2021); and ZETA – Contemporary Art Center, Tirana (2021). 

Selected group exhibitions include Museu Nacional da República, Brasília (2025); Monastero di Astino / GAMeC Prize, Bergamo (2025); Palacio Libertad, Buenos Aires (2025); Triennale Milano, Milan (2023); Aldea, Bergen (2023); and Istituto Centrale per la Grafica, Rome (2022), among others.


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