Costole (Ribs),
2026. Oil on linen, 68 x 48 x 5,5 cm.
Detail, Costole,
2026Costole (Ribs),
2026. Oil on linen, 68 x 48 x 5,5 cmLe chiavi nelle tasche (Key inside the pockets),
2026. Oil on linen, 48 x 68 x 5,5 cm.
Detail, Le chiavi nelle tasche,
2026.Guardaroba
(Wardrobe), 2025. Oil on linen,
68 x 48 x 5,5 cm.Detail, Guardaroba, 2025.
Tele Trance, 2025. Oil on linen,
68 x 48 x 5,5 cm.
Detail, Tele Trance, 2025.Tele Trance, 2025. Oil on linen,
68 x 48 x 5,5 cm.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
5 secondi, 2024. inkjet print, 120 pp., 41,5 x 29 cm.
5 secondi, installation view at Fondazione Baruchello, Rome, 2025. Ph.credits Alessia Calzecchi.
Di questo parla il cielo / This is what the sky is about,
2024. Acrylic on canvas
168 x 237,5 x 3,5 cm.
Detail, Di questo parla il cielo / This is what the sky is about, 2024.Il tempo come frusta, curated by Giulia Pollicita. installation view for Una Boccata D’Arte by Fondazione Elpis and Galleria Continua at Che Guevara Bar, Letino, 2024. Ph.credits Maurizio Esposito.
Monster Grabber, HD video, 18’23’’, loop, color, audio, 2024. Produced by Una Boccata D’Arte 2024, a project by Fondazione Elpis, in collaboration with Galleria Continua and Threes Production.
Pittura Italiana Oggi, installation view at Triennale Milano, Milan, 2023. Ph. credits Triennale Milano.Carezze, installation view at Renata Fabbri Arte Contemporanea, Milan, 2022.
Ph.credits Alberto Fanelli.
Dialogo con prima figura, 2022 Acrylic on canvas, 15 x 21 x 2,5 cm (approx.)
Carezze, installation view at Renata Fabbri Arte Contemporanea, Milan, 2022. Ph.credits Alberto Fanelli.
Open Script, installation view at IUNO Project, Rome, 2022. Ph.credits Leonardo Magrelli.Open Script, installation view at IUNO Project, Rome, 2022. Ph.credits Leonardo Magrelli.Succo di limone
/ Lemon juice,
2022. Acrylic on canvas
95 x 172 x 3 cm.
Detail, Succo di limone/ Lemon juice,
2022.
Melodia, installation view for Cantica21 (MiC and MAECI) at ZETA - Contemporary Art Center, Tirana, 2021.
Ph.credits Alberto Romano.
Melodia, installation view for Cantica21 (MiC and MAECI) at ZETA - Contemporary Art Center, Tirana, 2021. Ph.credits Alberto Romano.
Ph. credits Jessica Soffiati
Andrea Martinucci (1991, Rome) is a visual artist who lives and works in Milan. Rooted in painting and traversed by cinematic and digital languages, Martinucci’s practice investigates the relationship between image, memory, and altered states of consciousness. His work explores how objects and visions can operate beyond their functional value, generating unstable and open scenarios of meaning.
Through strategies of framing, montage, and sequencing, he constructs visual constellations that function according to non-linear logics, creating tension between perception and temporality.
He has participated in exhibitions and programs at institutions including Fondazione Baruchello (Rome, 2025); GAMeC (Bergamo, 2025); Fondazione Elpis (Milan, 2025); Museu Nacional da República (Brasília, 2025); Triennale Milano (Milan, 2023); Fondazione ICA (Milan, 2022); Istituto Centrale per la Grafica (Rome, 2022); MACRO (Rome, 2021); Italian Cultural Institute (Los Angeles, 2021); ZETA – Contemporary Art Center (Tirana, 2021) and Palazzo Reale (Milan, 2019).
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