Aufhebung is the first video research to understand the evolutionary possibilities of the pictorial discipline. Starting from culturally mainstream Manet’s artwork “Le Déjeuner sur l’herbe”, Aufhebung is collocated in a grotesque environment overflowing with corrupt iconographic elements. The synthesized sounds and the rewind of the video-editing creates a sense of inadequacy and oppression, capable of transforming the protagonists as surreal bodies. The tableau vivant is projected inside a picture frame, which can be found in the scene of the video: the intent is to emphasize sleazy situations in wich we find ourselves in our existence.