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2016 - 2019
Quite often we are not aware that system and software updates are constantly implemented on digital devices. As a consequence, documents and images stored using outdated technologies are at risk of being damaged and inaccessible. Martinucci, in an attempt to reconstruct parts of his memories, archives and uses images taken from social media, reassembling them according to personal compositional rules. With the passing of time, disturbing elements hide parts of the work and make it lose its identity and narrative potential.
A Glass is not a reference for amount,
Installation view, In De Ruimte, Ghent, 2019.
3012019.jpeg, 2019.
Acrylic and graphite on canvas, 40x50x4cm.
Installation view, In De Ruimte, Ghent, 2019.
3012019.jpeg, 2019.
Acrylic and graphite on canvas, 40x50x4cm.
5092019.jpeg, 2019.
Acrylic, earth, graphite and steel on canvas, 200x200x4cm.
Acrylic, earth, graphite and steel on canvas, 200x200x4cm.
I will give you a taste
of your inner desires,
Installation view,
Renata Fabbri arte contemporanea,
Milan, 2019.
Photo by Bruno Bani.
1.
20022019.jpeg, 2019.
Acrylic and graphite on canvas, 40x50x4cm.
2.
19012019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
3.
23012019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
4.
8022019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
of your inner desires,
Installation view,
Renata Fabbri arte contemporanea,
Milan, 2019.
Photo by Bruno Bani.
1.
20022019.jpeg, 2019.
Acrylic and graphite on canvas, 40x50x4cm.
2.
19012019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
3.
23012019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
4.
8022019.jpeg, 2019.
Acrylic and graphite on canvas, 100x150x4cm.
Glory Black Hole, Installation view,
Dimora Artica, Milan, 2018.
Photo by Andrea Cenetiempo
25102018.jpeg, 2018.
Acrilic and graphite on canvas, 150x150cm.
Dimora Artica, Milan, 2018.
Photo by Andrea Cenetiempo
25102018.jpeg, 2018.
Acrilic and graphite on canvas, 150x150cm.
