1991. Born in Rome, Italy.
Lives and works between Milan and Rome, IT


2012 BA in Multimedia Design,
Accademia delle Arti e Nuove Tecnologie, Rome.


*(C) denotes that a catalogue
was published in conjunction
with the exhibition.

2019 “Will aliens believe in me?”, curated by Alessandro Azzoni & Open Care, Banca Sistema Arte Collection, Milan. (C)

2019 “I will give you a taste of your inner desires“, curated by Bianca Baroni, Renata Fabbri Arte Contemporanea, Milan.

2018 “Glory Black Hole”, curated by Dimora Artica, text by Claudia Contu, project assistant Vincent Noir, partnership by Renata Fabbri Arte Contemporanea, Dimora Artica, Milan. (C)


2020 “Non dice reil lesa crita abboce”, curated by Basile Dinbergs, text by Geraldine Tedder, Rome.

2020 “We can work it out”, Renata Fabbri Arte Contemporanea, Milan.

2020 “Canny Family”, curated by Nikolas Bernáth, VUNU Gallery, Košice, Slovakia. 

2019 XX Premio Cairo, Palazzo Reale, Milan. (C)

2019 “A Glass is not a reference for amount”, curated by Van Der Borght Bjornus, In De Ruimte Space, Gent, Belgium.

2018 “Everytime you switch me off, we die, a little”, curated by Like a Little Disaster, FOOTHOLD, Polignano a Mare. (C)

2018 “Da Franco “Senza appuntamento” #2”, curated by Vasco Forconi with the contribution of NERO editions. (C)

2017 The Court - “Voyage au bout de la nuit”, curated by Maurizio Vicerè, Law Firm Di Pietro - Lucchi, Pescara. (C)

2017 “FOREVER NEVER COMES”, curated by Lapo Simeoni, Archaeological and Art Museum of Maremma, Grosseto. (C)

2017 “Moneypulation”, curated by Flour Project, Art Basel, Basel. (C)

2017 “Endless Backup - Outher Space”, curated by Ultrastudio, Ginevra Bria and Atto Belloli Ardessi, FuturDome - during MiArt Fair, Milan. (C)

2017 “Welcome Back Billy”, Basement Project, StudiFestival #3, Milan.

2016 “Vis-à-vis”, Institut français, Milan. (C)

2015 “Ricognizioni”, curated by Alberto Dambruoso, Contemporary Art Museum - BoCs, Cosenza. (C)

2013 “È così difficile dimenticare il dolore”, Mattatoio (Ex Macro Testaccio), Rome.

2012 “SPAM!”, curated by Marcello Smarrelli and Sguardo Contemporaneo, Fondazione Pastificio Cerere, Rome. (C)

2012 “Cartabianca”, curated by Silvia Cini and Sguardo Contemporaneo, Villa Croce Contemporary Museum, Genoa.

2012 “Quadratonomade”, Palazzo delle Esposizioni, Rome. (C)

2011 “Young Forever”, curated by Francesco Lucifora, Palazzo della Cultura, Modica. 

2010 “AUFHEBUNG”, curated by Cecilia Canziani, Maria Rosa Sossai and Goldiechiari,  1:1 Projects, Rome. 


Istituto Centrale per la Grafica - Rome (IT)


Airbnb Art Collection - New York (USA)

Fondazione Coppola / AmC Collezione Coppola - Vicenza (IT)

BoCs Art Museum - Cosenza (IT)

Law Firm Di Pietro/Lucchi - Pescara (IT)

Banca Sistema Arte - Milan (IT)

MMAT Collection - Milan (IT)

Private Collections (IT - USA)


2020 Cantica 21 (1st edition), Winner, supported by MiBACT and MAECI.

2019 “XX Premio Cairo”, Palazzo Reale, Milan. (C)

2019 “Premio Casarini - Due Torri Hotel” during ArtVerona, Verona.

2017 “Vittorio Viviani Prize”, curated by Simona Squadrito, Nova Milanese. (C)

2012 “The Glocal Rookie of theYear”, KunStart 12, Bolzano.


2020 “Open Work”, in dialogo con Silvano Manganaro, SenzaBagno, Pescara.

2015 “BoCs Art”, Residenza Artistica, cureted by Alberto Dambruoso, Cosenza.


2019 “Io, l’opera e tu”, talk with Saverio Verini , ArtVerona2019, Verona.

2018 “ Homer & Pop Art“, talk by Claudia Contu with Maria Chiara Valacchi, Spazi Festival, Fabbrica del Vapore, Milan.

2010 “AUFHEBUNG”, with the artist Goldshmied & Chiari. Curated by Maria Rosa Sossai and Cecilia Canziani, Rome.


2020 “The coloring book. 150 drawings by contemporary artists ”curated by Rossella Farinotti and Gianmaria Biancuzzi. Published by 24 ORE Cultura, Milan.

2019 “Art Card”, book curated by Nick Mrozowski, Art Advising by Federica Sala, Airbnb Magazine USA, New York.

2019 “Praying to digital muses to get rid of the academy and embrace contemporary painting” by Gaia Badioni, INSIDEART (print interview + cover magazine)

2019/2020 “The Cassina Perspective in Art”; curated by Federica Sala/P.S, photo by DePasquale+Maini, Milan.

2019 “222 Artisti emergenti su cui investire”, curated by Cesare Biagini Selvaggi, exibart.edizioni, Rome.

2018  “Un aggiornamento di troppo”, text by Dario Moalli, Hestetika n°31. 

2018 “Tech Gleba” Special Fanzine - curated by Vasco Forconi, Nero Edition Exposed to Una Vetrina, Rome.

2017 “SPRINT edition”, curated by Dimora Artica, O’ Space, Milan.

2017 “MONEYPULATION ISSUE”, curated by Flour Project, Art Basel.

2016 “Art is Now” curated by Scandale Project, Paris. 


2020 “Andrea Martinucci” interview for Artoday.

2019 “Pittura lingua viva, Parola ad Andrea Martinucci” interview by Damiano Gullì, Artribune.

2019 “L’inizio senza indizio”, curated by Irene Sofia Comi for “I (never) explain #40 - Andrea Martinucci”, ATP Diary.

2019 Forme Uniche, Daily Lazy, Scandale Project, We Are Napoleone, ArtMirror, ArtViewer, Exibart for “I will give you a taste of your inner desires“

2018 ArtMirror, ArteMondadori, Daily Lazy, Baloon Magazine, FormeUniche, Artelab, yyyymmdd_contemporary for Glory Black Hole, solo show - Andrea Martinucci

2018 “Simulacra - Andrea Martinucci” interview by Jessica Soffiati, Camerae Magazine. 

2018 Aujourd'hui,ATP Diary, Tzvetnik for "Voyage au bour de la nuit" - THE COURT.

2018 “Da Franco “Senza appuntamento” text by Elena Bordignon, ATP Diary.

2018  “THE COURT”, text by Marco Arrigoni, ATP Diary.

2017 “Artist-run space 2017 | ULTRASTUDIO” | pt.1 Andrea Martinucci + Benoit Ménard + Sebastian Wickeroth. (multiple interview), ATP Diary.

2017 “Quando immaginario digitale e pittura si incontrano” interview by Alessia Cucco, Collezione da Tiffany, Collezionare.

2017  “AndreaMartinucci” interview by Kate Mothes, YoungSpace.

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