BIO


Andrea Martinucci (b. 1991, IT) is a visual artist currently based between Milan and Rome. He develops as a transversal journey, an expanded approach integrating diverse media and languages such as painting, video and writing. Combining his strong connection with the pictorial medium he studied Multimedia Design at Accademia delle Arti e Nuove Tecnologie in Rome.
   
Recent solo exhibitions include: I will give you a taste of your inner desires, Renata Fabbri, Milan; Will aliens believe in me?, Open Care for Banca Sistema, Milan; Glory Black Hole, Dimora Artica, Milan; The Court, Di Pietro-Lucchi, Pescara. Recent group exhibitions include: INAFFABLE WORLDS, Tang Contemporary Art, Hong Kong; Canny Family, VUNU Gallery, Kosice; XX Premio Cairo, Palazzo Reale, Milan; Everytime you switch me off, we die, a little. FOOTHOLD, Bari; FOREVER NEVER COMES, Museum of Art and Archaeology of Maremma, Grosseto; Moneypulation, ArtBasel, Basel; Endless Backup, FuturDome, Milan; Vis-à-Vis, Institut Français, Milan; Cartabianca, Museum of Contemporary Art of Villa Croce, Genoa; Quadratonomade, Palazzo delle Esposizioni, Rome; È così difficile dimenticare il dolore, Mattatoio (ex Macro Testaccio), Rome.

He developed several projects, such as Fenomeno Pasquarosa, La Fondazione - Nicola Del Roscio Foundation, Rome; MANIFesta - Iniziative di II, MACRO Museum, Rome; Spazi Festival, Fabbrica del Vapore, Milan; Tech Gleba, Una Vetrina, Rome. In 2020 he is among the winners of Cantica21. Italian Contemporary Art Everywhere. Section Under 35 (MAECI-DGSP/MiC-DGCC), with Turbomondi (Melodia), a video installation destined for the Public Collection of Istituto Centrale per la Grafica, Rome. 




C.V.

SELECTED
SOLO SHOW

*(C) denotes that a catalogue
was published in conjunction
with the exhibition.


2019 “Will aliens believe in me?”, curated by Alessandro Azzoni & Open Care, Banca Sistema Arte Collection, Milan. (C)

2019 “I will give you a taste of your inner desires“, curated by Bianca Baroni, Renata Fabbri Arte Contemporanea, Milan.

2018 “Glory Black Hole”, curated by Dimora Artica, text by Claudia Contu, in partnership with Renata Fabbri Arte Contemporanea, Dimora Artica, Milan. (C)



SELECTED
GROUP
EXHIBITION

2021 “ INAFFABLE WORLDS”, co-curated by Giuliana Benassi and Michela Sena, Tang Contemporary Art - H Queen's, Hong Kong, China.

2021 “ ENTR~ACTE ”, text by Chiara Guidi, Renata Fabbri Arte Contemporanea, Milan. (C)

2020 “Non dice reil lesa crita abboce”, curated by Basile Dinbergs, text by Geraldine Tedder, Catacombe Commodilla, Rome.

2020 “We can work it out”, Renata Fabbri Arte Contemporanea, Milan.

2020 “Canny Family”, curated by Nikolas Bernáth, VUNU Gallery, Košice, Slovakia. 

2019 “XX Cairo Prize”, Palazzo Reale, Milan. (C)

2019 “A Glass is not a reference for amount”, curated by Van Der Borght Bjornus, In De Ruimte Space, Gent, Belgium.

2018 “Everytime you switch me off, we die, a little”, curated by Like a Little Disaster, FOOTHOLD, Polignano a Mare. (C)

2018 “Senza appuntamento #2”, curated by Vasco Forconi, in partnership with NERO and Untitled Association, Franco Hairdressed, Rome.

2018 “Tech Gleba”, text by Laura Amann, Una Vetrina, Rome. (C)

2017 “Voyage au bout de la nuit”, curated byi Maurizio Vicerè, The Court, Law Firm Di Pietro - Lucchi, Pescara. (C)

2017 “FOREVER NEVER COMES”, curated by Lapo Simeoni, Archaeological and Art Museum of Maremma, Grosseto. (C)

2017 “Moneypulation”, curated by Flour Project, Art Basel, Basel. (C)

2017 “Endless Backup - Outer Space”, curated by Ultrastudio, Ginevra Bria and Atto Belloli Ardessi, FuturDome, Milan. (C)

2017 “Welcome Back Billy”, Basement Project, StudiFestival #3, Milan.

2016 “Vis-à-vis”, Institut français, Milan. (C)

2015 “Ricognizioni”, curated by Alberto Dambruoso, Contemporary Art Museum - BoCs, Cosenza. (C)

2013 “È così difficile dimenticare il dolore”, Mattatoio (Ex Macro Testaccio), Rome.

2012 “SPAM!”, curated by Marcello Smarrelli and Sguardo Contemporaneo, Fondazione Pastificio Cerere, Rome. (C)

2012 “Cartabianca”, curated by Silvia Cini and Sguardo Contemporaneo, Villa Croce Contemporary Museum, Genoa.

2012 “Quadratonomade”, Palazzo delle Esposizioni, Rome. (C)

2011 “Young Forever”, curated by Francesco Lucifora, Palazzo della Cultura, Modica. 

2010 “AUFHEBUNG”, curated by Cecilia Canziani, Maria Rosa Sossai and Goldshmied & Chiari, 1:1 Projects, Rome.



COLLECTION

Istituto Centrale per la Grafica - Rome (IT)

Farnesina  - Rome (IT)

Airbnb Art Collection - New York (USA)

Fondazione Coppola / AmC Collezione Coppola - Vicenza (IT)

BoCs Art Museum - Cosenza (IT)

Law Firm Di Pietro/Lucchi - Pescara (IT)

Banca Sistema Arte - Milan (IT)

MMAT Collection - Milan (IT)

Private Collections (IT - USA)



PRIZE GRANT

2020 “Cantica21, Italian Contemporary Art Everywhere”, Winner Under35 Section (MAECI-DGSP/MiC-DGCC). 

2019 “XX Cairo Prize”, Palazzo Reale, Milan. (C)

2019 “Casarini Prize - Due Torri Hotel” during ArtVerona, Verona.

2017 “Vittorio Viviani Prize”, curated by Simona Squadrito, Nova Milanese. (C)

2012 “The Glocal Rookie of theYear”, KunStart 12, Bolzano.



RESIDENCY

2020 “Open Work”, in conversation with Silvano Manganaro, SenzaBagno, Pescara.

2015 “BoCs Art”, Residenza Artistica, curated by Alberto Dambruoso, Cosenza.


LECTURE

2021 “Pasquarosa phenomenon “, in conversation with Pier Paolo Pancotto and
Paolo Caravello. On the occasion of the exhibition Claire Fontaine | Pasquarosa | Marinella Senatore, La Fondazione | Nicola Del Roscio Foundation, Rome.

2019 “Io, l’opera e tu”, in conversation with Saverio Verini , ArtVerona2019, Verona.

2018 “ Homer & Pop Art“, in conversation with Claudia Contu and Maria Chiara Valacchi, Spazi Festival, Fabbrica del Vapore, Milan.

2010 “AUFHEBUNG”, in conversation with Goldshmied & Chiari. Curated by Maria Rosa Sossai and Cecilia Canziani, 1:1 Projects, Rome.



BIBLIOGRAPHY

2020 “The coloring book. 150 drawings by contemporary artists ”, curated by Rossella Farinotti and Gianmaria Biancuzzi. Published by 24 ORE Cultura, Milan.

2019 “Art Card”, curated by Nick Mrozowski, Art Advising by Federica Sala, Airbnb Magazine USA, New York.

2019 “Praying to digital muses to get rid of the academy and embrace contemporary painting” curated by Gaia Badioni, INSIDEART (print interview + cover magazine)

2019/2020 “The Cassina Perspective in Art”; curated by Federica Sala/P.S, Milan.

2019 “222 Artisti emergenti su cui investire”, curated by Cesare Biagini Selvaggi, exibart.edizioni, Rome.

2018  “Un aggiornamento di troppo”, text by Dario Moalli, Hestetika n°31. 

2018 “Tech Gleba - Special Fanzine”, curated by NERO Editions, Rome.

2017 “SPRINT edition”, curated by Dimora Artica, O’ Space, Milan.

2017 “MONEYPULATION ISSUE”, curated by Flour Project, Art Basel.

2016 “Art is Now” curated by Scandale Project, Paris. 


SELECTED
ONLINE FEATURE

2020 “Andrea Martinucci” interview for Artoday.

2019 “Pittura lingua viva, Parola ad Andrea Martinucci” interview by Damiano Gullì, Artribune.

2019 “L’inizio senza indizio”, curated by Irene Sofia Comi for “I (never) explain #40 - Andrea Martinucci”, ATP Diary.

2019 Forme Uniche, Daily Lazy, Scandale Project, We Are Napoleone, ArtMirror, ArtViewer, Exibart for “I will give you a taste of your inner desires“

2018 ArtMirror, ArteMondadori, Daily Lazy, Baloon Magazine, FormeUniche, Artelab, yyyymmdd_contemporary for Glory Black Hole, solo show - Andrea Martinucci

2018 “Simulacra - Andrea Martinucci” interview by Jessica Soffiati, Camerae Magazine. 

2018 "Voyage au bour de la nuit" - THE COURT for Aujourd'hui,ATP Diary, Tzvetnik for .

2018 “Da Franco - Senza appuntamento” text by Elena Bordignon, ATP Diary.

2018  “THE COURT”, text by Marco Arrigoni, ATP Diary.

2017 “Artist-run space 2017 | ULTRASTUDIO” | pt.1 Andrea Martinucci + Benoit Ménard + Sebastian Wickeroth. (multiple interview), ATP Diary.

2017 “Quando immaginario digitale e pittura si incontrano” interview by Alessia Cucco, Collezione da Tiffany, Collezionare.

2017  “AndreaMartinucci” interview by Kate Mothes, YoungSpace.



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