Andrea Martinucci (b. 1991, Rome, IT).
His works have been shown in solo and group exhibitions in spaces such as: IIC Los Angeles, LA; Institut Français, Milan; Mattatoio, Rome; Palazzo Reale, Milan; Tang Contemporary Art, Hong Kong; FuturDome, Milan; Palazzo delle Esposizioni, Rome; VUNU Gallery, Kosice; ZETA Contemporary Art Center, Tirana; Museum of Contemporary Art of Villa Croce, Genoa; Museum of Art and Archaeology of Maremma, Grosseto.

In 2020 he is among the winners of Cantica21. Italian Contemporary Art Everywhere (MAECI-DGSP/MiC-DGCC), with Turbomondi (Melodia), a video installation destined for the Public Collection of Istituto Centrale per la Grafica, Rome. He developed several projects, such as Fenomeno Pasquarosa, La Fondazione - Nicola Del Roscio Foundation, Rome; MANIFesta - Iniziative di II, MACRO Museum, Rome; Spazi Festival, Fabbrica del Vapore, Milan; Tech Gleba, Una Vetrina, Rome.



*(C) denotes that a catalogue
was published in conjunction
with the exhibition.

2021 “WORD.” a special event promoted by AMACI - Association of Italian Contemporary Art Museum, text by Damiano Gullì, IIC Los Angeles, USA.

2021 “Melodia”, organized by Italian Cultural Institutes of Tirana with the support of MAECI-DGSP and MiC-DGCC, text by Damiano Gullì, ZETA Contemporary Art Center, Tirana, Albania. 

2019 “Will aliens believe in me?”, curated by Alessandro Azzoni & Open Care, Banca Sistema Arte Collection, Milan. (C)

2019 “I will give you a taste of your inner desires“, curated by Bianca Baroni, Renata Fabbri Arte Contemporanea, Milan.

2018 “Glory Black Hole”, text by Claudia Contu, Dimora Artica, Milan. (C)


2022 “Post-Turismo”, a project by POST EX, curated by Giuliana Benassi, B&B Via Brianzo, Rome. (C)

2021 “Zona Bianca Zero”, curated by Giorgio Verzotti, Woolbridge Gallery, Biella.

2021 “INAFFABLE WORLDS”, co-curated by Giuliana Benassi and Michela Sena, Tang Contemporary Art - H Queen's, Hong Kong, China.

2021 “ENTR~ACTE”, text by Chiara Guidi, Renata Fabbri Arte Contemporanea, Milan. (C)

2020 “Non dice reil lesa crita abboce”, curated by Basile Dinbergs, text by Geraldine Tedder, Catacombe Commodilla, Rome.

2020 “We can work it out”, Renata Fabbri Arte Contemporanea, Milan.

2020 “Canny Family”, curated by Nikolas Bernáth, VUNU Gallery, Košice, Slovakia. 

2019 “XX Cairo Prize”, Palazzo Reale, Milan. (C)

2019 “A Glass is not a reference for amount”, curated by Van Der Borght Bjornus, In De Ruimte Space, Gent, Belgium.

2018 “Everytime you switch me off, we die, a little”, curated by Like a Little Disaster, FOOTHOLD, Polignano a Mare. (C)

2018 “Senza appuntamento #2”, curated by Vasco Forconi, in partnership with NERO Editions and Untitled Association, Franco Hairdressed, Rome.

2018 “Tech Gleba”, organized by Andrea Polichetti and Silvio Saccà, Fanzine curated and edited by Silvio Saccà, text by Laura Amann, Una Vetrina, Rome. (C)

2017 “Voyage au bout de la nuit”, curated by Maurizio Vicerè, The Court, Law Firm Di Pietro - Lucchi, Pescara. (C)

2017 “FOREVER NEVER COMES”, curated by Lapo Simeoni, Archaeological and Art Museum of Maremma, Grosseto. (C)

2017 “Endless Backup - Outer Space”, curated by Ultrastudio, Ginevra Bria and Atto Belloli Ardessi, FuturDome, Milan. (C)

2017 “Welcome Back Billy”, Basement Project, StudiFestival #3, Milan.

2016 “Vis-à-vis”, Institut français - Palazzo delle Stelline, Milan. (C)

2015 “Ricognizioni”, curated by Alberto Dambruoso, Contemporary Art Museum - BoCs, Cosenza. (C)

2013 “È così difficile dimenticare il dolore”, Mattatoio, Rome.

2012 “SPAM!”, curated by Marcello Smarrelli and Sguardo Contemporaneo, Fondazione Pastificio Cerere, Rome. (C)

2012 “Cartabianca”, a project by Silvia Cini and Francesca Serratim curated by NERO, Sguardo Contemporaneo and Carla Subrizi, Villa Croce Contemporary Museum, Genoa.

2012 “Quadratonomade”, Palazzo delle Esposizioni, Rome. (C)

2011 “Young Forever”, curated by Francesco Lucifora, Palazzo della Cultura, Modica. 

2010 “AUFHEBUNG”, curated by Cecilia Canziani, Maria Rosa Sossai and Goldshmied & Chiari, 1:1 Projects, Rome.


Istituto Centrale per la Grafica - Rome (IT)

Farnesina  - Rome (IT)

Airbnb Art Collection - New York (U.S.A)

Fondazione Coppola / AmC Collezione Coppola - Vicenza (IT)

BoCs Art Museum - Cosenza (IT)

Soho House - London/Rome (U.K. - IT)

Law Firm Di Pietro/Lucchi - Pescara (IT)

Banca Sistema Arte - Milan (IT)

MMAT Collection - London (U.K.)

Private Collections (IT - U.S.A - China)


2020 “Cantica21, Italian Contemporary Art Everywhere”, Winner Under35 Section (MAECI-DGSP/MiC-DGCC). 

2019 “XX Cairo Prize”, Palazzo Reale, Milan. (C)

2019 “Casarini Prize - Due Torri Hotel” during ArtVerona, Verona.

2017 “Vittorio Viviani Prize”, curated by Simona Squadrito, Nova Milanese. (C)

2012 “The Glocal Rookie of theYear”, KunStart 12, Bolzano.


2020 “Open Work”, in conversation with Silvano Manganaro, SenzaBagno, Pescara.

2015 “BoCs Art”, Residenza Artistica, curated by Alberto Dambruoso, Cosenza.


2021 “WORD.”, in conversation with Valeria Rumori, on the occasion of the Giornata del Contemporaneo, IIC - Los Angeles, USA. 

2021 “Pasquarosa phenomenon “, in conversation with Pier Paolo Pancotto and Paolo Caravello. On the occasion of the exhibition Claire Fontaine | Pasquarosa | Marinella Senatore, La Fondazione | Nicola Del Roscio Foundation, Rome.

2019 “Io, l’opera e tu”, in conversation with Saverio Verini , ArtVerona2019, Verona.

2018 “ Homer & Pop Art“, in conversation with Claudia Contu and Maria Chiara Valacchi, Spazi Festival, Fabbrica del Vapore, Milan.

2010 “AUFHEBUNG”, in conversation with Goldshmied & Chiari. Curated by Maria Rosa Sossai and Cecilia Canziani, 1:1 Projects, Rome.


2020 “The coloring book. 150 drawings by contemporary artists ”, curated by Rossella Farinotti and Gianmaria Biancuzzi. Published by 24 ORE Cultura, Milan.

2019 “Art Card”, curated by Nick Mrozowski, Art Advising by Federica Sala, Airbnb Magazine USA, New York.

2019 “Praying to digital muses to get rid of the academy and embrace contemporary painting” curated by Gaia Badioni, INSIDEART (print interview + cover magazine)

2019/2020 “The Cassina Perspective in Art”; curated by Federica Sala/P.S, Milan.

2019 “222 Artisti emergenti su cui investire”, curated by Cesare Biagini Selvaggi, exibart.edizioni, Rome.

2018  “Un aggiornamento di troppo”, text by Dario Moalli, Hestetika n°31. 

2018 “Tech Gleba - Special Fanzine”, fanzine curated and edited by Silvio Saccà, text by Laura Amann, Una Vetrina, Rome with the support of NERO Editions and Untitled Association. 

2017 “SPRINT edition”, curated by Dimora Artica, Sprint, O’ Space, Milan.

2017 “MONEYPULATION ISSUE”, curated by Flour Project, Art Basel.

2016 “Art is Now” curated by Scandale Project, Paris. 


2021 “Turbomondi(Melodia)”, Harabel, Tirana.

2021 “Andrea Martinucci”, studio visit & screening by Artoday-Projects.

2020 “Andrea Martinucci” interview by Federico Montagna and Alessia Rotondo, Artoday.

2019 “Pittura lingua viva, Parola ad Andrea Martinucci” interview by Damiano Gullì, Artribune.

2019 “L’inizio senza indizio”, curated by Irene Sofia Comi for “I (never) explain #40 - Andrea Martinucci”, ATP Diary.

2019 Forme Uniche, Daily Lazy, Scandale Project, We Are Napoleone, ArtMirror, ArtViewer, Exibart for “I will give you a taste of your inner desires“

2018 ArtMirror, ArteMondadori, Daily Lazy, Baloon Magazine, FormeUniche, Artelab, yyyymmdd_contemporary for Glory Black Hole, solo show - Andrea Martinucci

2018 “Simulacra - Andrea Martinucci” interview by Jessica Soffiati, Camerae Magazine. 

2018 "Voyage au bour de la nuit" - THE COURT for Aujourd'hui,ATP Diary, Tzvetnik for .

2018 “Da Franco - Senza appuntamento” text by Elena Bordignon, ATP Diary.

2018  “THE COURT”, text by Marco Arrigoni, ATP Diary.

2017 “Artist-run space 2017 | ULTRASTUDIO” | pt.1 Andrea Martinucci + Benoit Ménard + Sebastian Wickeroth. (multiple interview), ATP Diary.

2017 “Quando immaginario digitale e pittura si incontrano” interview by Alessia Cucco, Collezione da Tiffany, Collezionare.

2017  “AndreaMartinucci” interview by Kate Mothes, YoungSpace.

 © 2022 ANDREA MARTINUCCI - All Rights Reserved